Designed to be viewed on a Laptop or PC.
Original manuscripts from the 18th century can be difficult to read; this applies especially to Chattertonian Manuscripts. For this reason I use Google Docs to present high quality images of manuscripts, which allows close-up and almost forensic views. To get the best results you should use a laptop or PC, rather than a mobile or tablet. This is because the manuscripts sometimes appear 'fuzzy' on mobile or tablet, thanks to the settings, which can, of course, be adjusted, but it does make viewing awkward - Read about settings for mobiles and tablets.
The titles of all of Chatterton's works are now listed in full on this website. Some of the titles already have either the original manuscript or an early printing uploaded to it, but I still have much to do.
Collaboration is Welcome
Chattertonian Manuscripts are widely distributed making it extremely difficult to view or study them. We either live too far away or don't have the accreditation that gets us into the hallowed libraries of massy knowledge.
The Project aims to ensure that high quality & zoomable images of all Chattertonian Manuscripts are freely available on the Project Website for study and collaboration or simply for the joy of it!
It is too costly for me to do all of this alone, although I will continue to try. So, if you are near to any source of original Chattertonian documents and can find the time, do consider helping by photographing them for the Project.
All you need is a smartphone; do send me an email if you are able to help.
I have been working steadily on the project for a number of years and have, to date, uploaded numerous manuscripts but still have hundreds to collate, crop, adjust, delete, prepare & upload - a true labour of love!
So many of the Manuscripts in Bristol Reference Library and Archives are in the autograph of George Symes Catcott, a friend and mentor to Chatterton. He seems never to have let the quill pen fall from his inky fingers.
The good news is that Chatterton Manuscripts outside of Bristol will often be one or two pages only, which is much less onerous on the person taking the photographs. Spare a thought for me, one of Catcott's Copy Books, which contains over 500 pages, took weeks to photograph
& prepare for uploading.
Bristol & London are the key locations for Chatterton manuscripts, but there are a few in English and American Universities.
Finally, do let me know if I can help your Chatterton researches in any way.
Project Progress & Update
The Thomas Chatterton Manuscript Project is a huge undertaking,
a living thing! Growing and changing, adding & deleting as it rolls along.
I have to say, so you know where you stand with me, that I have a real fondness for all Chattertonian writers, biographers, editors and chancers - especially the chancers. Whether their work be large or small, derivative or otherwise - at least they had a go!
As I write this I am surrounded by an array of Chatterton related books and periodicals, all of which I have used to work up the project. So many books and so many writers, yet the Project is driven by two writers, Edward Harry William Meyerstein, via his 'A Life of Thomas Chatterton,' and Donald S. Taylor, via his 'The Complete Works of Thomas Chatterton'.
A book (or is it a thesis?) I must also mention, is Thomas Chatterton 1752-1770, An Annotated Bibliography,' by Jean C. Rowles, A.L.A. It's a wonderful piece of work. I would love to hear from Jean one day. My thanks go to Dawn Dyer of (Bristol Library) for telling me of this work.
Over the last few years I have taken thousands of photographs of manuscripts, postcards, newspapers and magazines, in fact all sorts of artefacts and ephemera. I am so fortunate that two of my favourite places, the absolutely wonderful, Bristol Reference Library, and Bristol Archives, are the source of most of my images to-date.
Manuscripts uploaded to the Chatterton Project include the following writers: Thomas Chatterton (obviously); George Catcott; Alexander Catcott; Alex Stopford Catcott; William Barrett; Dr Fry; Dr Lort; Thomas Tyrwhitt; Richard Smith; William Blake; and Horace Walpole.
Note: George Catcott, by transcribing Chatterton's works, played the key role in publicising Rowley. Good old George was very, very prolific.
I work on the many different aspects of the Project daily; currently I am working on the following:
Adding pages dedicated to the many names involved in the Chatterton story.
I have finished adding the titles of all of Chatterton's genuine works, plus works of doubtful authenticity, lost works and works incorrectly claimed as Chatterton's, and am now working on the next step; preparing and uploading images of original manuscripts or first printings to each of the titles - this might take a while.
However, however, however, I have already uploaded many manuscripts and first printings, but I still have lots of titles waiting for the link to the manuscript or first printing to go live. I will be trying to upload them daily, so do click a title and hope for the best. If you can't find a specific item do let me know and I will try to supply it.
I like to do the above online and in real time, rather than in the 'back office' because this allows anyone interested in Chatterton to see these wonderful documents as soon as I have them ready.
If you would like to collaborate by photographing manuscripts local to you or have any questions or suggestions, do let me know Contact .
Best wishes: [.QE!.]
Consumed by Fire
Daniel Wilson's 1869 biography of Chatterton mentions the 1860 fire in Kerslake's Shop. It was originally reported in The Bristol Times & Felix Farley's Journal for Feb 18th 1860.
The fire destroyed "Manuscript Chattertoniana" collected by J. M. Gutch, and William Tyson, and further augmented by Thomas Kerslake'. It also consumed the infamous Fust manuscript.
Then, 20 years later, on October 9th, 1881, the 'Great Fire' in Canynges' House, Bristol, destroyed the stock of C. T. Jefferies, Printer & Bookseller. Fortunately the fabulous Canynges fireplace shown in the painting by E. H. Parkman, survived the fire - see below.
Chattertonian Documents and Alexander Catcott's Fossil Collection were destroyed when bombs landed on Temple Church and Bristol Museum.
Irreplaceable Manuscripts should be photographed ASAP! If funding is short, opt for the low cost and simple option - use an Apple iPhone - it does an excellent job, which allows forensic views. The Images on this website show what can be achieved
John 'Ross' Dix - the Chancer
I know I go against the norm with my liking for John Dix (the ultimate chancer), but his 1837 edition of The Life of Thomas Chatterton, was my first REAL kiss! It brought me to the Chatterton story, which became my own first chief curse, with too much time given to this one subject. I bought the book for £5 from a Bristol bookshop in the 1970s. Those were the days - no need to wear a mask, unless you were robbing a bank!
You know you want to see the actual book, yes you do, well here it is:
The minute I picked the book up I was captivated. The annotations were intriguing, a direct challenge to discover more! The portrait was a 'fake' tell me more of this too!
I am an ignoramus who never had the opportunity to learn Latin, apart from reciting the Mass in Latin as an altar boy. Mea Culpa! My Bad! or Ffff You! Just read the words! Now I have the Internet and can find the answers for myself. So, go hide behind your obfuscations, for all the good that will do! We will discover the truth! For all the good that will do!
Yes, I found the Athenaeum online. Yes I discovered what the Latin words meant! Yes I discovered more about Chatterton & yes I love exclamation marks!!!; I am quite the fan of semi-colons too!
It's true, that Dix clouded the Chatterton story but it is easy to discover the rights and wrongs of it, or at least someone else's view of the rights and wrongs of it. In any case, Meyerstein and Taylor help us to figure it out. I look at it like this: Dix was to Chatterton what Hofmann was to the Mormons, beyond annoying in so many ways, but at least Dix didn't kill anyone, and he certainly stirred things up - just a bit!
So, what was all the fuss about Dix's Life of Chatterton? Dix was reviled because he had no regard for the truth and would create 'facts' to enliven the story - starting with the image of Chatterton, which turned out to be a painting of the son of Mr Morris, the artist. (I am working on this segment and will post when it is ready).
We don't need a ring'
There is no need to sign-up
To join, to enrol
To enlist, become a member
Form a committee, have a meeting
Form a quorum.
In fact, nothing formal is required.
It matters not who you are
Or where you live.
It matters only that you have the desire
To be part of the project.
The desire to research & investigate
A truly remarkable individual
A working-class poet
Chatterton, the Bristowyan.
Here's a friendly little Chattertonian Manuscript Riddle: